The Cadac CDC five with its 48 input channels and 24 assignable busses, is the latest addition to the Cadac digital console line. The compact CDC five gives sound engineers access to Cadac’s unique user experience and legendary audio performance at a very competitive price point. Based on an evolution of Cadac’s ‘high agility’ operating system, the CDC five has all the benefits of an intuitive operating system and faster workflow all on a single 23.5” screen.
Offering a unique combination of power and audio performance, seamlessly combined with advanced DSP and network control, the 44M Series range of four channel amplifiers is available in models developing between 1,500 Watts and 5,000 Watts per channel. Over designed high capacity power supplies ensure the full power specification can be delivered into 2 ohms with all channels driven while remaining highly efficient.
The Advanced System Controller from Linea Research is a high performance and easy to use signal processor for sound systems. With processing for 4 inputs and 8 outputs it takes advantage of the latest analogue to digital conversion and DSP technologies to deliver flaw less audio that out classes it's competition. Supporting analogue AES3 and Dante™ inputs and having both analogue and AES3 outputs, all under full remote control, makes the ASC48 suitable for use in the most demanding applications, especially when flexibil ity is paramount.
The Martin Audio W8L Longbow is an evolution of the successful W8L line array system. The W8L Longbow brings a new level of performance to the most demanding sound reinforcement applications such as outdoor festivals, sports stadiums and the largest arenas. Since the W8L launched, Martin Audio has developed a patent pending technology, which provides an exceptional degree of control over the curvature of the high frequency vertica l wavefront. By coupling this technology with significant advances in high frequency device design we have created a quad - driver, high frequency system with an impressive 10dB greater output capability.
The Martin Audio W8LD is a line array downfill enclosure that connects directly to the bottom of a W8L array and it covers from the front row out to up to 20m when using two W8LD cabinets. The exceptionally wide 120° horizontal dispersion increases coverage to front row central and off - stage areas, with full pattern control maintained right up to 15kHz. The all - horn design follows the same format as the W8L and continues the extension of the lin e array at low, mid and high frequencies
The WS218X is a high - performance sub - bass system designed for use with large scale systems, in both Live and Installed applications. Featuring a 1000 - Watt 18" (460mm) drive unit with magnet structure and suspension engineered for maximum linear excursion. The birch ply cabinets are fitted with six pocket handles and four 4” (100mm) castors for easy deployment with the addition of large area porting to reduc e air noise.
DL153 is a 2U 19" fixed - configuration rack I/O unit with 16 mic/line level inputs and 8 line level outputs and delivers legendary Midas sound quality utilising our time - tested and road - proven technologies. Featuring award - winning Midas microphone preamplifiers with 2.5 dB analogue gain steps and two AES50 network ports providing dual redundancy, the DL153 is the ideal partner to all Midas Pro and M32 Series digital consoles, enabling a digital snake connection from Fr ont of House to stage.
The MR12 is a 12 - input portable mixer housed in a sturdy stage box designed for use with iOS and Android tablets. It is ideally suited for both live and studio applications thanks to 4 award - winning Midas Pro mic preamps, an integrated WiFi module for wireless control, MIDI I/O and a USB connector for storing files or recording playback of WAV files. Free iOS, Android and PC applications enable you to move about the venue and manipulate all of the parameter of your mix.
The ground breaking PRO1 features 48 simultaneous input channels with 24 award
Midas Microphone Preamplifiers and 27 time
aligned and phase
coherent mix buses in an
new lightweight aluminium frame. Designed
for use in high
profile live sound
applications, the PRO1 sets a new standard of performance and portability in a compact
digital console form factor.
AES50 audio networking technology allows the PRO1 to dynamically assign up to 172 inputs and 172 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene - by - scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO1 equally at home in theatres and clubs as it is in live concert tour ing, outside broadcast and music festivals